Quick Ratios
Quarterly Results
Profit & Loss
Balance Sheet
Cash Flow
Ratios
Mkt Cap
Market Capitalization
₹15Cr
Entertainment - Electronic Media
Rev Gr TTM
Revenue Growth TTM
-42.11%
Peer Comparison
Compare up to 10 companies side by side across valuation, profitability, and growth.

OCTAVE
VS
| Quarter | Mar 2023 | Jun 2023 | Sep 2023 | Mar 2024 | Jun 2024 | Sep 2024 | Mar 2025 | Jun 2025 | Sep 2025 |
|---|
|
Growth YoY Revenue Growth YoY% | 14.3 | 7.1 | -84.8 | -37.7 | 50.0 | 13.3 | -20.0 | -72.7 | -44.0 | -58.8 | 125.0 | -66.7 |
| 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Operating Profit Operating ProfitCr |
| 76.8 | -53.3 | -320.0 | 18.2 | 50.0 | -58.8 | -200.0 | -111.1 | 68.1 | -228.6 | -144.4 | -2,666.7 |
Other Income Other IncomeCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Interest Expense Interest ExpenseCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Depreciation DepreciationCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
|
Growth YoY PAT Growth YoY% | 44.4 | 21.4 | -266.7 | 375.0 | -48.7 | 0.0 | 60.0 | -147.4 | 45.0 | -45.5 | -62.5 | 1,733.3 |
| 69.6 | -73.3 | -400.0 | 57.6 | 23.8 | -64.7 | -200.0 | -100.0 | 61.7 | -228.6 | -144.4 | 4,900.0 |
| 0.1 | 0.0 | -0.1 | 0.1 | 0.1 | 0.0 | 0.0 | 0.0 | 0.1 | -0.1 | 0.0 | 0.4 |
| Financial Year | Mar 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 | TTM |
|---|
|
| -75.4 | -97.0 | -83.3 | -100.0 | | 44.3 | -30.4 | -2.7 | 48.8 | 7.4 | -54.1 | -14.1 |
| 6 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 |
Operating Profit Operating ProfitCr |
| -67.9 | -2,791.3 | -19,595.2 | | -0.7 | 17.3 | -13.8 | 12.0 | 33.6 | 32.6 | 4.0 | -116.7 |
Other Income Other IncomeCr | -2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Interest Expense Interest ExpenseCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Depreciation DepreciationCr | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| -8 | -6 | -5 | -1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
|
| -67.7 | 14.1 | 23.3 | 87.5 | 100.9 | 674.1 | -915.3 | 103.1 | 3,867.9 | -46.3 | -95.1 | 13,263.6 |
| -224.7 | -6,500.9 | -29,933.9 | | 0.5 | 2.7 | -31.6 | 1.0 | 27.0 | 13.5 | 1.4 | 222.7 |
| -2.2 | -1.9 | -1.4 | -0.2 | 0.0 | 0.0 | -0.1 | 0.0 | 0.1 | 0.1 | 0.0 | 0.4 |
| Financial Year | Mar 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 | Sep 2025 |
|---|
Equity Capital Equity CapitalCr | 35 | 35 | 35 | 35 | 35 | 35 | 35 | 35 | 35 | 35 | 35 | 35 |
| -13 | -20 | -25 | -26 | -26 | -26 | -27 | -27 | -26 | -26 | -26 | -26 |
Current Liabilities Current LiabilitiesCr | 4 | 6 | 7 | 6 | 5 | 4 | 4 | 4 | 4 | 4 | 4 | 4 |
Non Current Liabilities Non Current LiabilitiesCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Total Liabilities Total LiabilitiesCr |
Current Assets Current AssetsCr | 8 | 7 | 5 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Non Current Assets Non Current AssetsCr | 18 | 14 | 12 | 12 | 13 | 12 | 12 | 12 | 12 | 12 | 12 | 12 |
Total Assets Total AssetsCr |
| Financial Year | Mar 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 |
|---|
Operating Cash Flow Operating Cash FlowCr | 3 | -1 | -1 | -2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
Investing Cash Flow Investing Cash FlowCr | -1 | 1 | 0 | 0 | -1 | 0 | 0 | 0 | 0 | 0 | 0 |
Financing Cash Flow Financing Cash FlowCr | -3 | 0 | 1 | 2 | -1 | -1 | 0 | 0 | -1 | -1 | 0 |
|
Free Cash Flow Free Cash FlowCr | 3 | -1 | -1 | -2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
| -43.8 | 11.7 | 20.2 | 251.5 | 26,953.7 | 329.7 | 11.2 | -537.7 | 219.4 | 231.1 | -725.5 |
CFO To EBITDA CFO To EBITDA% | -144.9 | 27.2 | 30.8 | 146.6 | -19,938.4 | 51.4 | 25.6 | -45.4 | 176.1 | 95.8 | -263.4 |
| Financial Year | Mar 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 |
|---|
Valuation Ratios Valuation Ratios |
Market Cap Market CapitalizationCr | 70 | 99 | 8 | 6 | 2 | 5 | 3 | 10 | 7 | 8 | 14 |
Price To Earnings Price To Earnings | 0.0 | 0.0 | 0.0 | 0.0 | 0.0 | 145.0 | 0.0 | 0.0 | 15.7 | 31.7 | 0.0 |
Price To Sales Price To Sales | 20.8 | 992.4 | 390.5 | | 2.3 | 3.3 | 3.1 | 9.3 | 4.2 | 4.6 | 18.5 |
Price To Book Price To Book | 3.3 | 6.7 | 0.8 | 0.8 | 0.3 | 0.6 | 0.4 | 1.2 | 0.8 | 0.9 | 1.7 |
| -31.5 | -36.6 | -3.3 | -10.5 | -874.7 | 32.6 | -48.9 | 111.2 | 18.9 | 20.0 | 579.5 |
Profitability Ratios Profitability Ratios |
| 13.7 | 27.5 | -4,401.2 | | 40.9 | 63.1 | 48.5 | 50.4 | 75.5 | 100.0 | 100.0 |
| -67.9 | -2,791.3 | -19,595.2 | | -0.7 | 17.3 | -13.8 | 12.0 | 33.6 | 32.6 | 4.0 |
| -224.7 | -6,500.9 | -29,933.9 | | 0.5 | 2.7 | -31.6 | 1.0 | 27.0 | 13.5 | 1.4 |
| -31.4 | -36.9 | -36.9 | -4.8 | 0.0 | 3.8 | -1.2 | 1.1 | 4.6 | 4.7 | 0.3 |
| -35.0 | -43.1 | -49.7 | -7.5 | 0.1 | 0.5 | -4.2 | 0.1 | 5.0 | 2.6 | 0.1 |
| -29.1 | -31.1 | -29.6 | -4.4 | 0.0 | 0.3 | -2.8 | 0.1 | 3.5 | 1.9 | 0.1 |
Operational Ratios Operational Ratios |
Solvency Ratios Solvency Ratios |
Liquidity Ratios Liquidity Ratios |
Perfect-Octave Media Projects Limited is a specialized media and entertainment entity dedicated to the preservation and commercialization of Indian Classical music and performing arts. The company operates **Insync**, India’s premier 24/7 television channel focused on **Classical, Sufi, Ghazal, Fusion, and Dance**. With a reach of approximately **3.5 crore households**, the company is currently navigating a strategic pivot from traditional broadcasting toward a multi-platform digital content ecosystem.
---
### **The "Insync" Ecosystem: Niche Content & Programming**
The company’s primary asset is the **Insync** television channel, which serves as a unique cultural platform in a market dominated by film-based entertainment.
* **Flagship Content Pillars:**
* **"Baithak" Series:** In-depth interviews and performances with industry stalwarts.
* **Young Masters Series:** A platform dedicated to showcasing emerging talent in classical genres.
* **In Memoriam Series:** Retrospectives on the lives and works of legendary maestros.
* **Genre Coverage:** Comprehensive programming across Hindustani and Carnatic classical music, semi-classical genres, and traditional Indian dance forms.
* **Event Integration:** The company records and broadcasts live musical events and seminars, and is currently planning an **All India Competition for Classical Music**.
---
### **Multi-Channel Distribution & Global Footprint**
To mitigate the impact of domestic regulatory shifts and capture the Indian diaspora, the company employs a diversified distribution strategy:
* **Domestic Linear TV:** Distributed via major **DTH and Cable** operators including **Tata Play (formerly Tata Sky), Incable, Siti Cable, Aadhar, and JPR**.
* **Digital & Mobile:** A strategic partnership with **Jio TV (Mobile and Fiber)** has significantly expanded viewership, particularly within the **rural segment**.
* **International IPTV:** The channel is carried via **IPTV networks** to audiences in the **USA, Malaysia, Singapore, and Indonesia**.
* **Direct-to-Consumer (DTC):** The company has launched a **Mobile App** and is developing **Video on Demand (VOD)** services, transitioning toward a global **subscription-based model**.
---
### **Strategic Pivot: From Broadcaster to 360-Degree Media House**
Recognizing that the Indian market is not yet fully "content-driven" for niche broadcast, management is diversifying revenue streams through several "activating" divisions:
| Division | Status | Focus Area |
| :--- | :--- | :--- |
| **Broadcasting & Syndication** | **Active** | Primary revenue driver; TV license renewed for **10 years**. |
| **Content Production** | **Activating** | Media production house for music albums and short films. |
| **Music Label** | **Activating** | Ownership and monetization of intellectual property (IP). |
| **Event Management** | **Activating** | Concerts and strategic event partnerships. |
| **Artist Management** | **Activating** | Managing domestic and international talent. |
| **Subscription/VOD** | **Activating** | Transitioning the mobile app to a paid model. |
---
### **Financial Performance & Capital Allocation**
The company has recently faced significant financial headwinds, characterized by a sharp decline in both top-line revenue and profitability during the most recent fiscal year.
**Three-Year Financial Summary (Rs. in Lakhs):**
| Particulars | F.Y. 2024-25 | F.Y. 2023-24 | F.Y. 2022-23 |
| :--- | :---: | :---: | :---: |
| **Gross Revenue** | **77.05** | **167.98** | **156.00** |
| **Profit After Tax (PAT)** | **1.10** | **22.60** | **42.06** |
* **Revenue Contraction:** Total revenue declined by **~54%** in F.Y. 2024-25 compared to the previous year.
* **Profitability:** PAT saw a near-total erosion, dropping from **Rs. 22.60 Lakhs** to **Rs. 1.10 Lakhs**.
* **Dividend Policy:** The Board has **not recommended a dividend** for three consecutive years to conserve capital.
* **Asset Base:** The company maintains specialized broadcasting equipment with useful lives ranging from **3 years (Computers/Hard Disks)** to **6 years (Network Equipment)**. No impairment of assets was reported as of March 31, 2025.
---
### **Market Dynamics & Growth Catalysts**
Despite current financial volatility, the company is positioned to benefit from broader industry trends:
* **Advertising Support:** Revenue is driven by **Free Commercial Time (FCT)** from blue-chip clients including **HDFC, LIC, Birla Group, Mahindra Group, and New India Assurance**.
* **Government Revenue:** Registration with **DAVP** allows the channel to broadcast **Government Advertisements**.
* **Regulatory Tailwinds:** The increase in **FDI limits to 100%** for cable and DTH platforms and the granting of **industry status** to the film/media sector provide better access to institutional finance.
* **Market Consolidation:** Management anticipates a trend where larger players acquire niche content providers to consolidate market share.
---
### **Risk Factors & Mitigation Strategies**
#### **1. Operational & Market Risks**
* **Niche Market Constraints:** The "super niche" nature of classical music makes cost-effective distribution challenging. The company is countering this by pivoting to **low-cost new media segments**.
* **Intellectual Property:** The industry faces high risks of **piracy** and IP violations.
* **Content Acquisition Costs:** To manage expenses, the company has entered strategic arrangements with third-party organizers to acquire content at **reasonable costs**.
#### **2. Regulatory & Compliance Challenges**
The company has noted several areas of non-compliance with **SEBI (LODR) Regulations** and the **Companies Act**:
* **Statutory Vacancies:** Absence of a full-time **Company Secretary** and **Compliance Officer**, resulting in **BSE penalties**.
* **Disclosure Lapses:** Failure to publish financial results and meeting notices in newspapers as per **Regulation 47**.
* **Filing Delays:** Late filings of **Form MGT-7** and **MGT-15** have incurred late fees.
#### **3. Financial & Legal Risks**
* **Liquidity & Credit Risk:** Managed through strict monitoring of trade receivables and maintaining liquidity for stressed conditions.
* **Contingent Liability:** A legal notice from **M/s Swami Films Entertainment** alleges content infringement with a claim of **₹2 Crore**. Management is contesting this and believes no liability will arise.
---
### **Future Outlook**
Perfect-Octave is focused on surviving the transition from traditional satellite broadcasting to a digital-first model. By leveraging its **10-year license renewal** and expanding its **VOD and mobile app** capabilities, the company aims to capture the rising demand for specialized cultural content among the **19.7 crore TV households** in India and the global Indian diaspora. Success will depend on the company's ability to resolve compliance issues and successfully monetize its "activating" business segments.