Quick Ratios
Quarterly Results
Profit & Loss
Balance Sheet
Cash Flow
Ratios
Mkt Cap
Market Capitalization
₹5Cr
Entertainment - Content Providers
Rev Gr TTM
Revenue Growth TTM
-100.00%
Peer Comparison
Compare up to 10 companies side by side across valuation, profitability, and growth.

UNIVARTS
VS
| Quarter | Mar 2023 | Jun 2023 | Sep 2023 | Mar 2024 | Jun 2024 | Sep 2024 | Mar 2025 | Jun 2025 | Sep 2025 |
|---|
|
Growth YoY Revenue Growth YoY% | -72.0 | -100.0 | | | 385.7 | | | -100.0 | -100.0 | | | |
| 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Operating Profit Operating ProfitCr |
| -371.4 | | | -4.0 | -8.8 | | | | | | | |
Other Income Other IncomeCr | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Interest Expense Interest ExpenseCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Depreciation DepreciationCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
|
Growth YoY PAT Growth YoY% | -900.0 | -700.0 | 14.3 | 50.0 | 360.0 | 183.3 | 266.7 | 250.0 | -109.6 | 140.0 | -80.0 | -33.3 |
| -285.7 | | | -4.0 | 152.9 | | | | | | | |
| -0.2 | -0.1 | -0.1 | 0.0 | 0.5 | 0.1 | 0.1 | 0.1 | -0.1 | 0.1 | 0.0 | 0.0 |
| Financial Year | Mar 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 | TTM |
|---|
|
| | -79.8 | -78.2 | -95.5 | 2,414.7 | 2,224.3 | -79.4 | -15.9 | -92.6 | 1,813.8 | -99.6 | -100.0 |
| 4 | 2 | 1 | 1 | 1 | 6 | 2 | 1 | 0 | 2 | 0 | 0 |
Operating Profit Operating ProfitCr |
| 5.0 | -62.3 | -194.7 | -5,941.8 | -214.2 | -3.5 | -34.8 | -34.2 | -365.3 | -14.8 | -3,613.0 | |
Other Income Other IncomeCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Interest Expense Interest ExpenseCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Depreciation DepreciationCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0 | -1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
|
| | -388.2 | 100.5 | -4,336.9 | 61.4 | 142.6 | -510.2 | -112.5 | -6.5 | 283.7 | -58.1 | -13.8 |
| 4.1 | -59.0 | 1.5 | -1,368.8 | -21.0 | 0.4 | -7.7 | -19.4 | -280.5 | 26.9 | 2,686.8 | |
| 0.1 | -0.6 | 0.0 | -0.1 | 0.0 | 0.0 | -0.1 | -0.2 | -0.2 | 0.4 | 0.1 | 0.1 |
| Financial Year | Mar 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 | Sep 2025 |
|---|
Equity Capital Equity CapitalCr | 10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 |
| -2 | -3 | -3 | -3 | -3 | -3 | -3 | -3 | -3 | -3 | -3 | -3 |
Current Liabilities Current LiabilitiesCr | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Non Current Liabilities Non Current LiabilitiesCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Total Liabilities Total LiabilitiesCr |
Current Assets Current AssetsCr | 7 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 7 | 7 | 7 | 7 |
Non Current Assets Non Current AssetsCr | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Total Assets Total AssetsCr |
| Financial Year | Mar 2017 | Mar 2018 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 |
|---|
Operating Cash Flow Operating Cash FlowCr | 0 | 0 | 0 | -1 | 0 | 0 | 2 | 0 |
Investing Cash Flow Investing Cash FlowCr | 0 | 0 | 0 | 0 | -3 | -2 | -2 | 0 |
Financing Cash Flow Financing Cash FlowCr | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
|
Free Cash Flow Free Cash FlowCr | 0 | 0 | 0 | -1 | 0 | 0 | 2 | 0 |
| -7,237.4 | 346.2 | 1,306.4 | 767.9 | 44.7 | -188.0 | 472.5 | 210.8 |
CFO To EBITDA CFO To EBITDA% | 54.4 | 79.8 | -145.6 | 169.5 | 25.3 | -144.3 | -858.6 | -156.8 |
| Financial Year | Mar 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 |
|---|
Valuation Ratios Valuation Ratios |
Market Cap Market CapitalizationCr | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 5 |
Price To Earnings Price To Earnings | 6.6 | 0.0 | 0.0 | 0.0 | 0.0 | 49.0 | 0.0 | 0.0 | 0.0 | 5.7 | 35.9 |
Price To Sales Price To Sales | 0.4 | 1.7 | 11.7 | 80.0 | 3.3 | 0.2 | 0.8 | 1.8 | 29.4 | 1.5 | 536.0 |
Price To Book Price To Book | 0.2 | 0.2 | 0.3 | 0.1 | 0.1 | 0.1 | 0.1 | 0.3 | 0.3 | 0.3 | 0.8 |
| -10.2 | 7.9 | 9.0 | 8.7 | 8.0 | 21.8 | 8.9 | -1.6 | -7.9 | -10.1 | -26.3 |
Profitability Ratios Profitability Ratios |
| 21.0 | 33.2 | 42.1 | 100.0 | 32.1 | 10.4 | 14.3 | 13.7 | 24.2 | 3.4 | 100.0 |
| 5.0 | -62.3 | -194.7 | -5,941.8 | -214.2 | -3.5 | -34.8 | -34.2 | -365.3 | -14.8 | -3,613.0 |
| 4.1 | -59.0 | 1.5 | -1,368.8 | -21.0 | 0.4 | -7.7 | -19.4 | -280.5 | 26.9 | 2,686.8 |
| 2.8 | -7.5 | 0.1 | -1.8 | -0.7 | 0.3 | -1.2 | -2.7 | -2.9 | 5.1 | 4.2 |
| 2.5 | -7.7 | 0.0 | -1.8 | -0.7 | 0.3 | -1.2 | -2.7 | -2.9 | 5.1 | 2.1 |
| 2.5 | -7.1 | 0.0 | -1.7 | -0.6 | 0.3 | -1.2 | -2.6 | -2.9 | 5.1 | 2.0 |
Operational Ratios Operational Ratios |
Solvency Ratios Solvency Ratios |
Liquidity Ratios Liquidity Ratios |
Universal Arts Limited (formerly known as **Goldmines Media Limited**) is an Indian media and entertainment enterprise primarily focused on the **trading of movie rights**. Established in **1995** and headquartered in Mumbai, the company operates as a strategic intermediary in the cinematic content lifecycle, acquiring and divesting rights to film properties. The company is listed on the **BSE Limited** and is currently positioning itself to navigate the digital transformation of the Indian media landscape.
---
### **Core Revenue Model and Operational Structure**
The company’s primary business activity is the **buying and selling of movie rights**. This transactional model involves identifying undervalued or high-demand cinematic content and monetizing those assets through various distribution channels.
* **Primary Revenue Stream:** Trading of film rights across domestic and international markets.
* **Secondary Revenue Stream:** Provision of media-related services, recognized as and when services are performed.
* **Subsidiary Operations:** The company operates through its **100% Wholly Owned Subsidiary**, **Bama Infotech Private Limited**. This subsidiary supports the parent entity’s objectives, though its current financial contribution remains marginal, reporting a total comprehensive income of **Rs. 0.04 lakhs** for the half-year ended **September 30, 2024**.
* **Strategic Outlook:** Management is optimistic about a market recovery following the stabilization of the entertainment industry post-pandemic. The focus is shifting toward high-quality **Films & Originals** to meet the demands of modern distribution platforms.
---
### **Strategic Positioning in the Digital Ecosystem**
Universal Arts Limited is pivoting its strategy to align with the rapid expansion of the Indian **Over-the-Top (OTT)** market. The company aims to capitalize on the shift from traditional theatrical and television windows to digital-first consumption.
| Strategic Focus Area | Market Context & Drivers | Target/Industry Benchmark |
| :--- | :--- | :--- |
| **OTT Market Expansion** | Rapid digital transformation and internet penetration. | Market valued at **₹10,500 crore** (2023). |
| **Growth Trajectory** | Increasing smartphone usage and subscription appetite. | Projected **₹30,000 crore** market by **FY 2030**. |
| **Sector Velocity** | High demand for diverse content libraries. | Anticipated **20% Year-on-Year (YoY)** growth. |
| **Competitive Response** | Competition from **Amazon, Netflix, and Jio**. | Focus on premium **Rights Acquisition**. |
---
### **Financial Performance and Profitability Analysis**
The company’s financial results exhibit significant volatility, a characteristic inherent to the transactional nature of movie rights trading. Recent profitability has been driven more by accounting adjustments than by core operational cash flows.
**Comparative Financial Overview:**
| Metric | FY 2024-25 (Provisional) | FY 2023-24 | FY 2022-23 |
|:---|:---|:---|:---|
| **Total Revenue** | **Rs. 50,61,154** | **Rs. 1,89,08,253** | **Rs. 12,69,053** |
| **Net Profit** | *Not specified* | **Rs. 36,16,265** | *Not specified* |
| **Transfer to Reserves** | — | **Rs. 36,16,265** | — |
**Key Financial Observations:**
* **Profit Quality:** The reported profit for **FY 2023-24** was largely attributed to the **mark-to-market revaluation** of investments at market value, in compliance with **IND AS**, rather than realized operational gains.
* **Dividend Policy:** Due to limited operational earnings and the need to conserve capital for future rights acquisitions, the Board of Directors did not recommend a **dividend** for the financial year ended **March 31, 2024**.
* **Investment Valuation:** Under **IND AS**, the company’s bottom line is sensitive to the fluctuating market value of its investment portfolio.
---
### **Capital Structure and Shareholding Discrepancies**
As of **March 31, 2025**, the company maintains a stable but complex capital structure resulting from historical share forfeitures.
* **Authorized Share Capital:** **Rs. 11,00,00,000** (1,10,00,000 Equity Shares of **Rs. 10** each).
* **Issued Share Capital:** **Rs. 10,00,08,000** (1,00,00,800 Equity Shares).
* **Paid-up Capital:** **Rs. 9,96,99,000** (99,69,900 Equity Shares).
**Historical Share Adjustments:**
In **July 2001**, the company **forfeited 830,900 shares**. While **800,000** of these shares were subsequently re-issued, their **listing on the BSE remains pending**, creating a standing discrepancy between issued and listed capital. The remaining **30,900 shares** continue to be held in the **Share Forfeiture Account**. There were no changes to the equity share capital during the **2023-24** fiscal year.
---
### **Governance and Leadership**
The company is actively strengthening its institutional framework to ensure compliance with **SEBI (Listing Obligations and Disclosure Requirements) Regulations**.
* **Board Enhancement:** In **July 2024**, the company appointed **Mr. Nikesh Kesarimal Oswal** as an **Independent Director** for a **5-year term**. This move is intended to bolster corporate governance, provide independent oversight, and ensure strategic compliance as the company seeks to scale.
---
### **Risk Factors and Regulatory Environment**
Universal Arts Limited operates in a high-stakes environment where financial scale and regulatory agility are critical.
**Operational Risks:**
* **Industry Consolidation:** The media sector is witnessing aggressive consolidation. Larger competitors with superior financial backing pose a threat to smaller players in the bidding for premium content.
* **Content Inflation:** Rising costs for acquiring high-quality movie rights may squeeze margins if the company cannot secure favorable resale terms.
* **Distribution Shifts:** The shortening of **theatrical-to-OTT windows** requires the company to be more agile in its trading cycles to avoid asset depreciation.
* **Resource Constraints:** Management acknowledges that **limited financial resources** currently hinder the company's ability to scale at the same pace as major industry conglomerates.
**Regulatory Compliance (New Labour Codes):**
The company is monitoring the implementation of the **New Labour Codes** (notified **November 21, 2025**), which consolidate various central labor laws:
| Regulation | Impact Assessment |
| :--- | :--- |
| **Code on Social Security, 2020** | Evaluating impact on **employee benefit obligations**. |
| **Code on Wages, 2019** | Pending final state-level rule notifications. |
| **Industrial Relations Code, 2020** | Replaces multiple central legislations; streamlining compliance. |
| **Occupational Safety Code, 2020** | Part of the broader consolidation of labor standards. |
**Note on Impact:** Due to a **low employee headcount**, the company does not anticipate a significant financial impact under **Ind AS 19 (Employee Benefits)** resulting from these legislative changes.