Quick Ratios
Quarterly Results
Profit & Loss
Balance Sheet
Cash Flow
Ratios
Mkt Cap
Market Capitalization
₹24,052Cr
Rev Gr TTM
Revenue Growth TTM
22.25%
Peer Comparison
Compare up to 10 companies side by side across valuation, profitability, and growth.

PFOCUS
VS
| Quarter | Mar 2023 | Jun 2023 | Sep 2023 | Mar 2024 | Jun 2024 | Sep 2024 | Mar 2025 | Jun 2025 | Sep 2025 |
|---|
|
Growth YoY Revenue Growth YoY% | 30.7 | 17.7 | -4.5 | -24.0 | -39.2 | -32.8 | -12.6 | 8.2 | 12.1 | 25.8 | 18.3 | 32.7 |
| 999 | 1,057 | 1,033 | 815 | 831 | 739 | 686 | 641 | 747 | 779 | 765 | 813 |
Operating Profit Operating ProfitCr |
| 30.4 | 12.7 | -0.7 | 3.1 | 4.8 | 9.2 | 23.5 | 29.5 | 23.7 | 23.9 | 27.9 | 32.7 |
Other Income Other IncomeCr | 96 | 59 | 12 | 105 | 81 | 30 | 131 | -84 | -231 | 167 | -31 | -12 |
Interest Expense Interest ExpenseCr | 132 | 156 | 160 | 117 | 125 | 127 | 128 | 150 | 133 | 114 | 120 | 133 |
Depreciation DepreciationCr | 157 | 125 | 128 | 132 | 113 | 112 | 139 | 128 | 126 | 133 | 139 | 167 |
| 243 | -69 | -284 | -118 | -116 | -135 | 75 | -94 | -257 | 164 | 6 | 83 |
| 52 | 3 | -27 | -39 | -35 | 23 | 25 | 5 | -6 | 54 | 2 | 13 |
|
Growth YoY PAT Growth YoY% | 311.9 | -47.7 | -2,446.9 | -288.6 | -142.2 | -119.3 | 119.6 | -25.3 | -212.9 | 169.9 | -92.0 | 169.9 |
| 13.3 | -6.0 | -25.0 | -9.4 | -9.2 | -19.4 | 5.6 | -10.9 | -25.7 | 10.8 | 0.4 | 5.7 |
| 6.4 | -2.4 | -8.6 | -2.6 | -2.7 | -5.3 | 1.1 | -3.3 | -7.7 | 2.0 | 0.1 | 0.9 |
| Financial Year | Jun 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 | TTM |
|---|
|
| 48.7 | | 55.7 | 4.8 | 12.5 | 15.3 | -13.4 | 33.5 | 37.2 | -14.9 | -8.9 | 18.7 |
| 1,366 | 1,180 | 1,744 | 1,841 | 2,182 | 2,529 | 1,953 | 2,589 | 3,670 | 3,698 | 2,813 | 3,103 |
Operating Profit Operating ProfitCr |
| 15.0 | 14.7 | 19.0 | 18.4 | 14.1 | 13.7 | 23.0 | 23.5 | 21.0 | 6.4 | 21.8 | 27.3 |
Other Income Other IncomeCr | -228 | -38 | 121 | 34 | 123 | 16 | 51 | -89 | 219 | 217 | -154 | -107 |
Interest Expense Interest ExpenseCr | 73 | 262 | 172 | 212 | 237 | 231 | 251 | 373 | 421 | 558 | 538 | 499 |
Depreciation DepreciationCr | 221 | 203 | 255 | 277 | 304 | 381 | 422 | 417 | 467 | 498 | 505 | 566 |
| -281 | -301 | 105 | -39 | -58 | -196 | -39 | -82 | 306 | -587 | -411 | -5 |
| 33 | 16 | 9 | 6 | -25 | -42 | 18 | 92 | 112 | -98 | 48 | 63 |
|
| -1,852.0 | | 130.2 | -146.4 | 25.8 | -367.0 | 63.5 | -209.7 | 211.8 | -351.2 | 6.2 | 85.2 |
| -19.5 | -22.9 | 4.4 | -2.0 | -1.3 | -5.3 | -2.2 | -5.1 | 4.2 | -12.4 | -12.7 | -1.6 |
| -13.8 | -7.8 | 3.2 | -1.5 | -1.1 | -5.1 | -1.9 | -5.8 | 8.5 | -16.3 | -12.6 | -4.6 |
| Financial Year | Jun 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 | Sep 2025 |
|---|
Equity Capital Equity CapitalCr | 30 | 30 | 30 | 30 | 30 | 30 | 30 | 30 | 30 | 30 | 30 | 78 |
| 1,082 | 378 | 510 | 463 | 416 | 363 | 237 | 84 | -5 | 486 | 729 | 1,661 |
Current Liabilities Current LiabilitiesCr | 1,138 | 1,803 | 1,237 | 1,489 | 1,563 | 2,506 | 3,254 | 3,381 | 1,653 | 2,337 | 5,011 | 6,579 |
Non Current Liabilities Non Current LiabilitiesCr | 984 | 1,133 | 1,454 | 1,277 | 1,702 | 2,032 | 1,763 | 2,106 | 4,974 | 4,013 | 1,472 | 931 |
Total Liabilities Total LiabilitiesCr |
Current Assets Current AssetsCr | 897 | 726 | 871 | 981 | 1,112 | 1,636 | 1,772 | 1,812 | 2,332 | 3,115 | 3,343 | 4,348 |
Non Current Assets Non Current AssetsCr | 2,491 | 2,688 | 2,474 | 2,484 | 2,794 | 3,379 | 3,591 | 3,866 | 4,452 | 4,012 | 5,183 | 5,295 |
Total Assets Total AssetsCr |
| Financial Year | Jun 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 |
|---|
Operating Cash Flow Operating Cash FlowCr | 213 | 30 | 291 | 201 | 120 | 522 | 328 | 183 | 254 | -33 | 295 |
Investing Cash Flow Investing Cash FlowCr | -528 | -99 | -87 | -374 | -269 | -154 | -104 | -80 | -490 | -317 | -356 |
Financing Cash Flow Financing Cash FlowCr | 254 | 123 | -187 | 147 | 159 | -201 | -114 | -232 | 152 | 335 | 133 |
|
Free Cash Flow Free Cash FlowCr | -90 | -57 | 67 | -102 | -118 | 371 | 231 | 99 | -103 | -337 | -68 |
| -67.9 | -9.3 | 304.7 | -452.1 | -365.2 | -339.0 | -584.5 | -105.4 | 130.6 | 6.7 | -64.5 |
CFO To EBITDA CFO To EBITDA% | 88.2 | 14.6 | 71.0 | 48.2 | 33.6 | 130.3 | 56.3 | 23.0 | 26.1 | -12.9 | 37.6 |
| Financial Year | Jun 2015 | Mar 2016 | Mar 2017 | Mar 2018 | Mar 2019 | Mar 2020 | Mar 2021 | Mar 2022 | Mar 2023 | Mar 2024 | Mar 2025 |
|---|
Valuation Ratios Valuation Ratios |
Market Cap Market CapitalizationCr | 1,378 | 1,581 | 2,506 | 2,519 | 1,985 | 760 | 1,718 | 2,729 | 2,437 | 2,945 | 2,718 |
Price To Earnings Price To Earnings | 0.0 | 0.0 | 30.1 | 0.0 | 0.0 | 0.0 | 0.0 | 0.0 | 16.5 | 0.0 | 0.0 |
Price To Sales Price To Sales | 0.9 | 1.1 | 1.2 | 1.1 | 0.8 | 0.3 | 0.7 | 0.8 | 0.5 | 0.8 | 0.8 |
Price To Book Price To Book | 1.2 | 3.9 | 4.6 | 5.1 | 4.5 | 1.9 | 6.4 | 23.9 | 96.8 | 5.7 | 3.6 |
| 8.8 | 13.6 | 8.4 | 8.9 | 11.6 | 9.2 | 9.0 | 8.3 | 7.4 | 30.3 | 9.4 |
Profitability Ratios Profitability Ratios |
| 100.0 | 100.0 | 100.0 | 100.0 | 100.0 | 100.0 | 100.0 | 100.0 | 100.0 | 100.0 | 100.0 |
| 15.0 | 14.7 | 19.0 | 18.4 | 14.1 | 13.7 | 23.0 | 23.5 | 21.0 | 6.4 | 21.8 |
| -19.5 | -22.9 | 4.4 | -2.0 | -1.3 | -5.3 | -2.2 | -5.1 | 4.2 | -12.4 | -12.7 |
| -10.8 | -2.3 | 17.2 | 9.8 | 6.6 | 1.0 | 5.1 | 6.9 | 14.8 | -0.5 | 2.3 |
| -28.2 | -77.6 | 17.7 | -9.0 | -7.4 | -39.2 | -21.1 | -152.1 | 772.4 | -94.7 | -60.4 |
| -9.2 | -9.3 | 2.9 | -1.3 | -0.8 | -3.1 | -1.1 | -3.1 | 2.9 | -6.8 | -5.4 |
Operational Ratios Operational Ratios |
Solvency Ratios Solvency Ratios |
Liquidity Ratios Liquidity Ratios |
### **Overview**
**Prime Focus Limited (PFL)** is the world’s largest independent, integrated media services company, founded in **Mumbai in 1997** by **Mr. Namit Naresh Malhotra**. Headquartered in India with a formidable global footprint, PFL operates as a premier end-to-end partner in the media and entertainment (M&E) industry, delivering creative, technological, and production solutions across film, television, advertising, and digital platforms.
With over **9,200 professionals across 23 global locations** in 7 time zones and 4 continents—including **Mumbai, Los Angeles, London, Toronto, Sydney, and Vancouver**—PFL enables **24/7 project execution** through its proprietary **‘World Sourcing’ delivery model**. The company is publicly listed on the **BSE and NSE in India**, features on the **Fortune India 500**, and is backed by prominent investors like **Standard Chartered Private Equity, Reliance Group, and Horizon Coast**.
PFL generates approximately **84–90% of its revenue from international markets**, serving marquee clients such as **Disney, Warner Bros., Marvel, Netflix, Paramount, Universal, Apple+, and Sony**, as well as broadcasters and OTT platforms like **HBO, Star, BCCI, and the IPL**.
---
### **Core Business Segments**
PFL operates across **three primary revenue streams**, supported by a diversified and scalable business model:
1. **Creative Services (c. 90% of revenue):**
- **Visual Effects (VFX), Animation, Stereo 3D Conversion, Digital Intermediate, Sound Stages, and Post-Production.**
- Powered by **Double Negative (DNEG)**, PFL’s Academy Award-winning VFX and animation arm.
- High-end work on blockbuster franchises: *The Lord of the Rings*, *Dune*, *Fast & Furious*, *John Wick*, *The Boys*, and *Stranger Things*.
2. **Tech / Tech-Enabled Services (c. 10% of revenue):**
- Provided by **Prime Focus Technologies (PFT)**, the company’s cloud-native AI technology division.
- Flagship product: **CLEAR®**, an AI-powered **Hybrid Cloud Media ERP Suite** that automates content workflows from creation to distribution.
- Offers **AI-driven solutions** for content management, versioning, localization, and monetization, with clients including **Disney, WarnerMedia, NBCU, and A+E Networks**.
3. **Property & Asset Leasing:**
- Includes studio infrastructure, sound stages, and equipment rental through **India Film & Media Services (FMS)**.
- Owns one of **India’s largest integrated studio complexes** (Film City, Mumbai), contributing ~25% of the city’s total studio capacity.
---
### **Strategic Subsidiaries & Business Units**
PFL’s growth and diversification are driven by its key subsidiaries under the broader **DNEG Group**, led by CEO Namit Malhotra:
#### **1. Double Negative (DNEG)**
- **Global leader in VFX and animation**, with **8 Academy Awards**, multiple BAFTA and Primetime Emmy wins.
- Serves top-tier directors including **Christopher Nolan (*Oppenheimer*, *Tenet*), Denis Villeneuve (*Dune*), and Edgar Wright**.
- **Episodic VFX Division**: Recognized for Emmy-winning work on *The Boys – Season 4*, *The Lord of the Rings: The Rings of Power – Season 2*, *Time Bandits*, and *Skeleton Crew*.
- **DNEG Animation**: Producing high-profile films such as *Nimona*, *The Garfield Movie*, *Bad Fairies*, *The Cat in the Hat*, and *That Christmas*.
- **DNEG IXP (Immersive Experiences)**: New division targeting **gaming, live events, theme parks, and virtual production**.
- **Global studios** in **Los Angeles, Vancouver, Toronto, London, Mumbai, Bangalore, and Chennai**.
- Expanding into **Abu Dhabi** to strengthen regional leadership in the Middle East.
#### **2. Prime Focus Technologies (PFT)**
- Developer of **CLEAR®**, the **industry’s first Media ERP Suite**, recognized as **NAB’s 2023 Product of the Year** and available on **AWS Marketplace**.
- **CLEAR® AI Platform** includes:
- **Smart MAM**: Workflow automation and revenue amplification.
- **Video Collaboration**: AI-assisted editing and review.
- **AI Reframe**: Automatically converts horizontal videos into vertical/social formats.
- **AI Discover**: Generates creative content ideas using **ChatGPT + Machine Wisdom**.
- **AI Localize**: Cloud-based localization portal for global content adaptation.
- **Clip Curation**: AI-driven clip creation for social media.
- Provides **AI-powered digital restoration** of heritage films—including 100-year-old Disney classics like *Snow White* and *Cinderella*—and *Friends* for Warner Bros.
- Manages over **20,000 audiovisual assets monthly** for clients like **Disney Star and Star Sports**.
- Localization: **Subtitling in 60+ languages**, processing **over 40,000 hours annually**.
#### **3. Brahma – AI-Powered Content Technology Arm**
- Launched as PFL’s **AI-native platform** integrating **DNEG’s VFX tools**, **Ziva’s digital human AI**, and **Metaphysic’s generative AI**.
- In **February 2025**, Brahma acquired **Metaphysic**, a TIME 100 Most Influential Company known for **photorealistic AI content and digital likenesses** used in *Furiosa* and *Alien: Romulus*.
- Develops **next-gen AI tools** for **enterprise, healthcare, education, and entertainment**.
- Positioned to **democratize Hollywood-quality content creation at scale**, enabling businesses to generate **secure, branded, high-fidelity videos, images, and audio**.
- Strategic focus on **IP protection, ethical AI content creation**, and **revenue generation through AI-powered platforms**.
#### **4. Prime Focus Studios**
- Focuses on **content financing and global production**, marking a strategic pivot from **services to content ownership**.
- Co-produced *The Garfield Movie* and developing a **slate of international IP-driven projects** with major studios.
- Expanding investment in high-budget features and franchises.
#### **5. ReDefine**
- Boutique VFX and animation brand under the DNEG umbrella, specializing in **independent and global co-productions**.
- Delivered *The White Tiger*, *Cry Macho*, and *Brahmastra*.
- Offers agility, creative independence, and localized supervision while leveraging DNEG’s global tech infrastructure.
---
### **Strategic Initiatives & Growth Drivers (2025)**
- **AI Integration**:
- **“Ramayana”**, a major Indian film produced by Prime Focus Studios in **September 2025**, is being used as a **live testbed for AI-powered production tools** developed by **Brahma**. This includes AI-assisted animation, digital humans, and automated workflows.
- **Global Expansion & Technology Scaling**:
- **DNEG** continues to expand with studios in **Bangalore, Toronto, and Abu Dhabi**.
- **Brahma’s platform** is being scaled to serve **non-entertainment sectors** including **healthcare, retail, and education**, unlocking new revenue verticals.
- **End-to-End Integration**:
- Ongoing integration of **PFT’s CLEAR® system** into **DNEG’s production pipeline**, creating a **unified workflow from pre-production to distribution fulfillment**.
- This move, initiated by a **MoU in April 2023**, aims to deliver **bundled services**, operational efficiency, and **new monetization pathways**.
- **Sustainability Initiatives**:
- Installation of an **850 KWp rooftop solar system** at the **Goregoan (Mumbai) complex**, expected to generate **85,000 kWh/month** and support ESG goals.
- **IP and Content Ownership**:
- Aggressive shift from **service-based revenue to content/IP creation** through **Prime Focus Studios**, targeting long-term margin enhancement.
---
### **Key Competitive Advantages**
- **World Sourcing® Model**:
Enables **cost-efficiency, 24/7 workflows**, and rapid turnaround by leveraging **global talent across 23+ locations**.
- **Proprietary Technologies**:
- **View-D™**: Industry-leading **2D-to-3D conversion**.
- **DAX Digital Dailies®**: Primetime Emmy-winning platform for **on-set digital dailies**.
- **CLEAR® and CLEAR® AI**: AI-driven **automation of media supply chains**.
- **Ziva & Metaphysic Integration**: Core to Brahma’s **AI digital human technology**.
- **Deep Studio Relationships**:
Long-standing partnerships with **Hollywood studios, top directors, and Indian filmmakers**, positioning PFL as a **Tier-1 VFX and production partner**.
- **Robust Order Book**:
A strong backlog supports **sustainable revenue visibility over 3–5 years**, even amid industry volatility.
---
### **Financial & Operational Highlights**
- **Revenue Streams**:
- ~90% from **Creative and International Services**.
- ~10% from **Technology (PFT)**.
- ~84–90% of total revenue from **international operations** (primarily Hollywood and OTT platforms).
- **Workforce**: **Over 9,200 employees**, with expansions planned in 2025 to support growth in AI, animation, and global services.
- **Clients**:
- **Studios**: Disney, Warner Bros., Marvel, Universal, Sony, Netflix.
- **Broadcasters & OTT**: HBO, Hulu, Apple TV+, BCCI, IPL, ZEE5.
- **Sports & Events**: ICC, NBA, Cricket Australia.
- **Recent Projects (2025)**:
- **Film VFX**: *Oppenheimer*, *Dune: Part 2*, *The Flash*, *Venom 3*, *Furiosa*, *Alien: Romulus*.
- **Episodic**: *The Boys – S4*, *LOTR: RotP – S2*, *Time Bandits*, *Skeleton Crew*.
- **Animation**: *Nimona*, *The Garfield Movie*, *Bad Fairies*, *That Christmas*.